What is it about taiko? is it the drums themselves? maybe the rhythms? or the power? the movement? the community created in a room of strangers trying to achieve something in unison? the freedom to shout when anywhere else we need to be polite? the endorphins that come with continuous physical activity? why not come and see for yourself?
- It has been a long time in the making – but we have now arrived at the point of being mature enough to start learning to play the drums in the Naname style.
Sam made us 4 stands for our Nagados. But of course, the Okedos can also be slanted on the various other stands we have: an x-Miyake stand would do, and the classical okedo stand can also work. And for Hiras there is always a chair that can be tied up.
We asked Ting-Chi Li to teach us. She has been playing with San Francisco Taiko Dojo for many years and has much experience playing Naname. And she has been teaching us before and performed with us in our concert at the Taliesin.
We practiced the basic stance and grip, worked on various drills and finally played the matsuri rhythm together. It was a holistic mind and body day of exercising and learning.
The Tanabata festival was one of those very special events where a taiko performance is a natural and a central part of the goings on. For us it was a perfect opportunity to fully enjoy what we do and to spread the spirit of taiko playing. We had as much floor space as we wanted, we were given the freedom to do it our way, and ample time for setting up, playing, teaching workshops and facilitating the ‘Tanko Bushi’ dance. We are very thankful to the national museum of Cardiff and specifically to Victoria for having us and making everything so smooth and easy.